Setting up the exhibition was tiring and at times stressful. Lots of attention to detail, accurate measuring, decision making and discussions. The end result though was good, Anne and my work sat well together and I was pleased with how we had curated it – the way the screens had been placed in the space allowed people to walk around and into spaces and see the work from different and changing perspectives. I was especially pleased how the light from the large windows highlighted the textures and the matt wax of the tree portraits against the black background. It really enhanced the sense of almost moonlight ghostliness of the trees.
Marking where the bottom fitting goes
Double checking the placement of the firing
Last picture up on the wall
Dusting the sculpture